Character Descriptions – of Cast and in Film – 7th May Hand In

 

Character descriptions of the cast

The actors we have worked with where friends of our own cameraman Niall and one of our own in crew Kyriakos Molivas/Domenic Moliva. His one friend Matias Greenwood and the other Tom Howell. Tom took the role of Alan a young fellow who owes money to some very dangerous people and Mat portrays a busker/musician who is broke and is living on the streets. Tom was very good to work with, he was quiet and open to suggestions to better his acting. If he had any questions he was not afraid to ask us. His style of acting was a really settle one. What i mean by this is that, most actors tend to overact and sometimes you have to ask them to supress that. In Toms case he would play his character so chill and mellow where at some points you feel that he is the one who is the heartless and ruthless dept collector. With his style he was able to put a twist on the character that none of us saw coming. In Mats case he was the complete oposite. He would not stop talking on set, he would overact, he wasn’t focused and oftenly was talking with somebody of set when we were about to shoot. Though again he was great at his role. Him beeing in constant motion all the time gave expressions to the character which made you feel sorry for him in a way you can’t hold back that “Aww” sound you make when you see puppys. Now our producer Domenic aka Kyriakos. He was playing the role of Bernard a cheesy off an old bad gangster movie character who collects dept and helps you collect it if you don’t have it. Domenic was also talktive on set but not whe rolling. He tried to give tips to the director, he always wanted the scene to be shot again and tried to help everyone with their jobs. He had a unique way of acting. He is a angryy but also happy person and that helped him give his character a funny but dangerous look. All in all they all did a great job and we thank them for their time to come and shoot this with us as this is really important to us.

 

Characters Description in the film

 
For the role of Alan
Alan is the main character in the film and he is a young man, skinny and at normal hight. He owes money to dangerous people. His character is a witty one. He is a problem solver. In tough situations he can think and tries to talk his way out of things. He’s not really a physical contact kind of guy and though he owes bad people money he is honest and kind of heart. At the end you see him realising that he should face his problems head on and that there is no need to involve others in them.

For the role of Bernard
Bernard in the film is a slight older man than Alan, he seems experienced at what he does, he’s build up and again at normal hight. He works for the dangerous people and in this case he is a dept collector. He is not very bright and finds it easier to resolve issues with his brute strength. He has a very chessy sense of humor and you often see him trying to portray some kind of old ganster movie mafia guy. He follows the orders he has blindly no matter what that might do to others.

For the role of The Musician
The Musician in the film is none other than a homeless guitarist who plays on the streets for money. He is an out of shape guy with old and dirty clothes. He has an old guitar which he uses to make money and get by every day. He was unfortunate in his life and that is how he enden up where he is now and as the film goes on you see that his luck isn’t the greatest still. He needs to get a ride across town and doesn’t have enough change on him, so he looks around and he sees a man holding a TAXI sign made out of cardboard over his head. He thinks that because of that he would be his easiest way of transportation. He is not very bright as well but a quick to response and reply.

Journal – TAXI – 7th May Hand In

 

Personal Journal
( – An Extension to Things mentioned in the Critical Evaluation )

First day of shooting
The weather was lovely, the costumes and props where ready, camera fully charged , and everybody on location. The shooting begins and before you realise it so do the issues! First the batteries of one of the microphones die on us. Second the quiet little place i thought we where shooting at came to be a very busy road whenever we where shooting and last, it was raining! It wasn’t a problem you see cause we where all dedicated into the film so a little water would do us no harm we even used umbrellas to cover up the camera! You see the problem was that, the sudden change of weather altered the colours of the film. So we had to sit around and wait until the clouds had passed so we could shoot again. It took time that first day but the first day of shooting was over.
The second day of shooting was arranged a week after the first day we shot because of the group members busy schedule. But we where faced with kind of a big problem. My co-actor Johnny had something he could not get out off and had to leave Bristol for a week or so. Seeing as we could not get this done by losing a whole weeks worth of shooting we thought that the best way to go was to re-cast. We call up friends, acquaintances anyone who could do it and we did. Tom again a friend of Niall’s ( impressive connections that Niall, good friends ) was able to shoot it with us. Again a group meeting was at large. We talk and discuss if everybody is ok with the date arranged, and again once more we where on set!
Second Day of Shooting
Fully stocked on batteries, checked on the weather and it would be lovely, took photos of the actors clothes to avoid continuity errors, practised are lines (threatened the new actor that if he suddenly dropped out of this project we would kill him….haha lightening the mood a bit hahaha….ekhm) and BOOM 2 and a half hours later we where done.
When going home our editor Jaden was kind enough to do a rough cut of the film to see how it looked so far. Trueth be told it looked alright! So now we where excited to go on! Texts where texted, calls where called and facebook messages where…facebooked messaged? (again haha but now serious again) This was actually one of the things that where the most tiresome about beeing the producer, you have to call everybody and text everybody and make sure all is good and all are okay and ready for go! And so we find our second location. An empty road in the middle of nowhere that looked perfect for the scene we had to shoot. And it was at night and inside a car. So that meant we had to be able to figure out the lighting. Cause actually none of us where assigned to it so we all took care of it! We tried to use a lighting device that had to be plugged in the smokers car lighter so it could be generated. We tried it and…it was MAKING A HORRIFIC NOISE! we could’t shoot it like this so we all took out our smart phones put the flash light on and tried for us and our shadows to stay away from the cameras eye!
Third day/night of shooting
At night in the car as mentioned erlier. We did the scene a couple of wasy not being afraid to work around the script and improvise where the director thought we should. After our first location we had gone to an alley behind a student accomodation residance where Johnny Yates told as it would look apropriate. I told him to take photos of the place and send it to the rest of us. He did we liked and we went to check it out. On our way there we spotted a place that looked even better and decided to use it instead of the other one. We started shooting. We used our phones and even the cars head lights for lighting and we ended up with a great look. We finished and that’s when you hear the magic words…”That’s a wrap people” we all got very excited and started to leave. Until we all stopped when we heard that the cars battery we used its head-lights for lighting was dead and the car would not start.
Memorable experience
We all had to push the car up and down a road whilst the driver keeps trying to start it and all this because these kids didn’t have any cables so we can jump start it from another car. Alot of laughter was involved and a bit of cardio and at last the car WAS ALIVE!
I had gone home and shaved the beard i had left for this role, and it wasn’t until the next day the director, editor and myself realised we forgot a scene. and that scene involved me, and I JUST SHAVED! We would meet up a week later hoping my facial hair was to grow as fast as the beanstalk in Jack and the beanstalk! But the actor who had to do the scene with me couldn’t make it. We started freaking out until i had a little chat with the lad and next day he was up and ready to shoot.
Fourth day/night
It was a Saturday and the place we where shooting at was quite busy. My co-actor was actually just about to go out but he had bring his clothes with him. We tried to make the shot in such a way that the shaved beared insident would not show so much threw various angles and tests we did. And for the second and last time the shooting was over!

Producers Research – 7th May Hand In

 

Producers Research

First of i begin my research by simply trying to define what is a film producer and what does he do? A film producer is the man who is responsible for the entire movie to be done on a certain deadline inside the pre-thought and pre-decided budget. He sometimes hires the director, the actors, assistances and basically almost everyone. He has to be able to avoid trouble for the shooting to check if all is going by schedule and as planned and if not to resolve the issues.
He is there to secure financing for the film, if it is not being made for a studio, to determine locations and budget, to develop a shooting schedule, to cast the actors, for pre-production, post-production, and this is because he is the one who usually buys the rights to a script and or book and has to transform it into a high-grossing profit investment. Also most importantly to have a good working relationship with the director.
His relationship with the director would be that one of a chef and a manager in a restaurant. The manager has to make sure that all is in place that the chef will have all that he needs and then have it ready to be working until it’s time to serve the good people what they want, hopefully a delicious film.
Once the film is shot the director is responsible to review the fine cut of the film after it is edited. He than has to work with a distributor to secure distribution for the film which may include showing the distributors the final cut of the film. And well after that he must review the distributor’s advertising campaign for the film and if all goes well the only thing left is to wait for cinema gates to open up and see what the people say.
I started searching for film producers others than Spielberg and Christofer Nollan and such. So i thought i should first search for films i like and begin my research on the producers of those movies.

 

Frank Marshall and Kathleen Kennedy
Frank Marshall was born on September 13, 1946 in Los Angeles, California, USA and Kathleen Kennedy was born on June 5, 1953 in Berkeley, California, USA.
Kennedy and Marshall have worked with amazing director and producer Steven Spielberg for decades on such signature films as Raiders of the Lost Ark, Who Framed Roger Rabbit?, Jurassic Park and Schindler’s List.
The Sixth Sense a 1999 production movie was written and directed by M. Night Shyamalan and produced by the amazing duo of Frank and Kathleen grossing around 293 million dollars domestically and 379 million dollars internationally.
Frank Marshall and Kathleen Kennedy both together are worth over 300 million dollars
Trailer for “The sixth sense” : https://www.youtube.com/watch?v=VG9AGf66tXM

Frank Marshall and Kathleen Kennedy    sixth_sense

 

Jerry Bruckheimer
Jerry Bruckheimer was born on September 21, 1943 in Detroit, Michigan, USA. Jerry produced the film “Pirates of the Caribbean: The Curse of the Black Pearl” a 2003 production film that made $305,413,918 domestically and $348,850,097 overseas.
Jerry Bruckheimer is worth today 850 million dollars
Trailer for the “Pirates of the Caribbean: The Curse of the Black Pearl” : https://www.youtube.com/watch?v=0Z1XpfbuZOA

 

Jerry Bruckheimer pirates-carribean-curse-black-pearl

 

 

Francis Ford Coppola
Francis Ford Coppola was born on April 7, 1939 in Detroit, USA. He is a wolrd renowned director, writer and producer. He is famously known for his amazing directing of The Godfather. The Godfather, was made in 1972 and gave him three Academy Awards. Two years later in 1974 he decides not just to direct but to also go with producing, in one film both sequel and prequel, the movie “the Godfather part II” . The film won 6 Oscars and was nominated 11 academy awards. He does this again in 1990 co-writting once more with Mario Puzo directing and producing “The Godfather part III”. This film grossed 136 million dollars and was nominated for seven Academy Awards including the Academy Award for Best Picture.
Francis Ford Coppola is worth today 100 million dollars.
Trailers for
“The Godfather” : https://www.youtube.com/watch?v=sY1S34973zA
“The Godfather part II” : https://www.youtube.com/watch?v=qJr92K_hKl0
“The Godfather part III” : https://www.youtube.com/watch?v=kCAcWDDPdNY

 

Francis Ford Coppola the-godfather 123

 

 

Joel Silver
Joel Silver was born on July 14, 1952 in South Orange, New Jersey USA. He is known for famous action films like “Lethal Weapon” franchise, the first two “Die Hard” films and my personal favourite “The Matrix” franchise. The Matrix franchise is compiled of three movies, “The Matrix” 1999, “The Matrix Reloaded” 2003 and “The Matrix Revolutions” 2003. These movies together grossed over 1.5 billion dollars.
Joel Silver is worth today 300 million dollars.

Trailers :
“Die Hard” : https://www.youtube.com/watch?v=2TQ-pOvI6Xo
“Die Hard 2” : https://www.youtube.com/watch?v=gUg4gWjOgXs
“The Matrix” : https://www.youtube.com/watch?v=m8e-FF8MsqU
“The Matrix Reloaded” : https://www.youtube.com/watch?v=HVrGMnk5E_M
“The Matrix Revolutions” : https://www.youtube.com/watch?v=NhoaoTZJSX4

 

Joel Silver Die_hard The_Matrix_Poster
Broderick Johnson
Broderick Johnson was born in Athens, Georgia, USA. He is a famous film producer, co-founder and Co-CEO of Alcon Entertainment and alongside his producing partner Andrew Kosove they are producing touching and thought provoking movies to this day. His most latest movie he produced is “Transcendence” out in Cinemas now. He has also produced “The Blind Side”, a film staring Sandra Bulloch and was nominated for an Academy Award and grossed over $300 million.
Trailers for :
“The Blind Side” : https://www.youtube.com/watch?v=I24d30buecw
“Transcendence” : https://www.youtube.com/watch?v=VCTen3-B8GU

 

Broderick Johnson ??????????????????????? Transcendence

 
Emma Thomas
Emma Thomas is a British film producer.She is known for co-producing films such as The Prestige, Inception, as well as the Batman film franchise from 2005 to 2012. She frequently collaborates with her husband, the well known Christopher Nolan. She also writes and directs. The films she works with are one of the films that you have to whatch twice to fully understand movies like “Memento” 2000 , “Prestige” 2006 , “Inception” 2010. “Inception” staring actors like Leonardo DiCaprio, Joseph Gordon-Levitt and Ellen Page grossed over 800 million dollars and It won 4 Academy Awards and was nominated 4 more.
Trailers for :
“Memento” : https://www.youtube.com/watch?v=0vS0E9bBSL0
“Prestige” : https://www.youtube.com/watch?v=o4gHCmTQDVI
“Inception” : https://www.youtube.com/watch?v=66TuSJo4dZM
Top 10 Films you have to watch twice :
https://www.youtube.com/watch?v=5u550YOIfT0
Emma Thomas  Christopher Nolan memento_ver2 prestige inception_movie_poster_small

 

Jerry Weintraub
Jerry Weintraub was born on September 26, 1937 in Brooklyn, New York, USA. He is an American film producer and is known for the production of the “Oceans” franchise. Ocean’s Eleven, Ocean’s 12 and Ocean’s 13 staring great actors such as George Clooney, Brad Pitt and Matt Damon. The Ocean’s franchise all together grossed over 1 billion dollars. Weintraub is also producing his latest film that will be out sometime in 2016 Tarzan with association with Warner Bros Co.
Jerry Weintraub is worth today the amount of 200 million dollars.
Trailers for :
“Ocean’s Eleven” : https://www.youtube.com/watch?v=imm6OR605UI
“Ocean’s 12” : https://www.youtube.com/watch?v=Ze4WPu2kHus
“Ocean’s 13” : https://www.youtube.com/watch?v=L-EyG12LxME

 

Jerry Weintraub Oceans 11 12 13

 

 

Philippe Godeau
Philippe Godeau is a french film producer, director and writer. He caught my attention for his film “Mr. Nobody” 2009 staring Jared Leto (also lead singer for the band 30 seconds to Mars) this film was a real head scratcher for most. Once people viewd the movie they where asked a question “did you understand it?” and most of them answered “No” cause the trailers wheren’t specific about the meaning and main idea behind the film and it was difficult to follow. Philippe Godeau at an interview with Movie Weekly he said that his intend for the film was such. He didn’t want just anyone to get and enjoy it so as his role of producer he had to steer the audience as far away to the story so they could comprehend it themselves as he stated ” The rest of the team and i didn’t want to hold the audiences hand threw this”. “Mr. Nobody” grossed 47 million dollars and though it was not such a big success as box offices go it’s considered a brilliant film by many film critics.

Trailer for “Mr. Nobody” : https://www.youtube.com/watch?v=mpi0qsp3v_w

 

Philippe Godeau   mrnobody

 

Bibliography for Producers Research

http://entertainment.howstuffworks.com/movie-producer2.htm
http://www.slate.com/articles/news_and_politics/explainer/2009/02/what_does_a_hollywood_producer_do_exactly.html
http://www.tomcruise.com/blog/2010/11/05/how-to-become-movie-producer-guide/
http://www.imdb.com/name/nm0550881/bio?ref_=nm_ov_bio_sm
http://www.imdb.com/name/nm0005086/bio?ref_=nm_ov_bio_sm
http://www.imdb.com/title/tt0167404/business?ref_=tt_dt_bus
http://www.imdb.com/name/nm0000988/bio?ref_=nm_ov_bio_sm
http://www.imdb.com/list/ls000001696?ref_=bio_rls_1
http://www.imdb.com/name/nm0000338/bio?ref_=nm_ov_bio_sm
http://www.imdb.com/title/tt0167404/
http://en.wikipedia.org/wiki/The_Sixth_Sense
http://www.imdb.com/name/nm0000338/#producer
http://www.imdb.com/title/tt0099674/?ref_=nm_flmg_prd_48
http://www.imdb.com/title/tt0071562/?ref_=nm_flmg_prd_65
http://en.wikipedia.org/wiki/Joel_Silver
http://www.imdb.com/name/nm0005428/
http://www.celebritynetworth.com/richest-businessmen/producers/joel-silver-net-worth/
http://en.wikipedia.org/wiki/Transcendence_(2014_film)
https://www.google.co.uk/info/transendence
http://en.wikipedia.org/wiki/Broderick_Johnson
http://www.forbes.com/sites/dorothypomerantz/2012/02/22/meet-the-guys-behind-the-new-blade-runner-movie/
http://en.wikipedia.org/wiki/Jerry_Weintraub
https://www.google.co.uk/jerryweintraub/info
https://pro-labs.imdb.com/name/nm0005545
http://www.imdb.com/name/nm0323886/
http://www.imdb.com/title/tt0485947/business?ref_=tt_dt_bus
http://www.imdb.com/title/tt0485947/?ref_=ttmd_ph_tt1

 

 

Critical Evaluation – Taxi

 

Critical Evaluation

The actual Evaluation you know what this means? This year has come to an end. The last thing i had to do was to work with some class mates who i am proud to say i worked with to create a short film portraying a story that our groups director has told us. His idea came from a friend of his whom once he got mugged by these guys who once he told them he didn’t have any money except that of some change they gave it back to him and let him go unharmed.
So after beeing assigned this project all that was left was to make it happen. First of all each individual in the group had to take on their role for the production of this film. At the first meeting i was ill and did not know what i was assigned for. When i went in at the second production meeting we had i found out the roles of everybody. Jamie Ashcroft was to be the director, Johnny Yates responsible for sound both on set and editing, Niall Alexander on cameraman duties, Jaden Randall on editing, and there was one position open. That position was none other than the producer. First i hearing about it i thought to myself “well that’s not bad! seems easy enough! i guess this will be easy” BUT LITTLE DID I KNOW this was a bit of hand full.
I get home and i search what is the role of the producer in a film. The main answer that keeps coming up is the producer is the guy who is responsible for keeping the movie going, finding the actors, sets and locations and keeping it all in budget. First i did was to meet up with the rest of the group but most importantly the director. After sending them a message on facebook, we met up in the cafeteria at Bower Ashton, a place we called ground zero! We meet up and i ask the director how do you picture the actors? His honest answer was “I don’t know” where i replied “don’t worry when you see them you’ll know”. So for him to “see them” and “know” we first had arrange auditions. The way we went for doing so we’ve put up adverts in all kinds of social media asking for young actors wanting to play the roles we wanted and whoever was interested should give us a call and we will arrange a day to host the auditions who people who also couldn’t contact us could give it a shot. This DID NOT WORK! Only a hand full of people contacted us for the parts and none where able to make it to the auditions. Niall (camera man) suggested we work with some of his friends that might be able/willing to act in it. We all agreed for so but Jamie (director) and myself insisted on having them audition first. We tried to arrange that but Nialls friends where never available. So we head on to PLAN C. We act in it!
Though usually this is not the best way to go i knew we had a talented actor amongst us that is non-other than Johnny Yates (sound) whom i saw act before and thought him to be great, and i had also done some acting in the past. We actually auditioned for the rest of the group at a group meeting we had, the rest of the group liked our performance. We where missing one more actor, and that’s when Niall’s friend came threw and so the show was ready to hit the roads.
My part as producer was to figure out where to shoot? The scene was held outside of a house, so i ask the rest of the group if we know a place meeting the requirements for the shoot. One of the group members said that his house would actually work perfectly. I arranged a pick up for us all and there we where. The set actually looked good. It seemed like a quiet enough neibourghood where we could shoot at ease.
First day of shooting
The weather was lovely, the costumes and props where ready, camera fully charged , and everybody on location. The shooting begins and before you realise it so do the issues! First the batteries of one of the microphones die on us. Second the quiet little place i thought we where shooting at came to be a very busy road whenever we where shooting and last, it was raining! The problem with that was, the sudden change of weather altered the colours of the film. So we had to sit around and wait until the clouds had passed so we could shoot again. It took time that first day but the first day of shooting was over.
The second day of shooting was arranged a week after the first day we shot because of the group members busy schedule. But we where faced with kind of a big problem. My co-actor Johnny had something he could not get out off and had to leave Bristol for a week or so. Seeing as we could not get this done by losing a whole weeks worth of shooting we thought that the best way to go was to re-cast. We call up friends, acquaintances anyone who could do it and we did. Tom again a friend of Niall’s ( impressive connections that Niall, good friends ) was able to shoot it with us.
Second Day of Shooting
Fully stocked on batteries, checked on the weather and it would be lovely, took photos of the actors clothes to avoid continuity errors, practised are lines and BOOM 2 and a half hours later we where done.
One of the things that where the most tiresome about being the producer, you have to call everybody and text everybody and make sure all is good and all are okay and ready for go! And so we find our second location. An empty road in the middle of nowhere that looked perfect for the scene we had to shoot. And it was at night and inside a car. So that meant we had to be able to figure out the lighting. Cause actually none of us where assigned to it so we all took care of it! We tried to use a lighting device that had to be plugged in the smokers car lighter so it could be generated. We tried it and…it was MAKING A HORRIFIC NOISE! we could’t shoot it like this so we all took out our smart phones put the flash light on and tried for us and our shadows to stay away from the cameras eye!
Third day/night of shooting
At night in the car as mentioned earlier. We did the scene a couple of ways not being afraid to work around the script and improvise where the director thought we should. After our first location we had gone to an alley behind a student accommodation residence where Johnny Yates told as it would look appropriate. I told him to take photos of the place and send it to the rest of us. He did we liked and we went to check it out. On our way there we spotted a place that looked even better and decided to use it instead of the other one. We started shooting. We used our phones and even the cars head lights for lighting and we ended up with a great look.

Fourth day/night
It was a Saturday and the place we where shooting at was quite busy. My co-actor was actually just about to go out but he had bring his clothes with him. We tried to make the shot in such a way that the shaved beard incident would not show so much threw various angles and tests we did. And for the second and last time the shooting was over!
It’s been a couple of days now i hope they don’t call me in!
The Look
The look and feel we wanted to bring into this film was mostly comedy. We wanted to combine a serious look with a touch of body language and script comedy. With the directing and some improvisation from the actors part i believe this was achieved.
For the actors to act we/they had to sign a document that states they agree to shoot this with us and we will use the footage for the creation of a 5 minute film for our final project.
In total for this film we had to use a minimum of 3 characters and 3 locations and we used 3 main characters and 5 locations.

As to the film as its own and each speck. For starters ill go with the lighting. The lighting i didn’t love and thought we where sometimes unprepared for it. No matter how many times i used all kinds of techniques we couldn’t get it just right. Perhaps if i had thought a bit ahead and tried to book some lighting equipment from the university i could have avoided some of this issue, now that i know ill keep it in mind for next time. My second worry is the editing. Though all of the actors and the director tried their best for this film, the editing could have been a bit more complex.

Editing
At the beginning once the characters get in to the car there could be more cutting from one character to another as on of them doesn’t say really anything for a while and in that way making the audience aware to some kind of verbal and non-verbal conversastion. Also at some points you can clearly see the actors braking out of character just before of a scene where it could be easily cut just a second earlier. In addition i also think that the editing doesn’t really show that witted fast paste that i thought we where going for, for example there is a moment when the character closes the door locks and the camera is literally waiting for it to happen, when it should happen instantly cause he is doing something that to a regular human being is by that age second nature.

Acting
As far as this experience on acting, i have to confence that i don’t feel i gave it my all. I didn’t feel that connected to the character i was portraying, except from when he got physical.

Producing
With the producing element in a whole this experience was a great one. It was a chance to get to know one another and it felt like an actual production company. A very low,non budget, amateur one but a production company none the less. I’ve been used to creating my own ideas and directing them myself and it’s rare for me to work on someone elses idea. I found myself at the begining to not be that in to it at first but until the end enjoying myself threw the process. I believe that i did ok for my first producing job. Could i do better? Yes. I believe that if i had tried to arrange more group meetings everything would be much better. If now i have problems with the editing but the sound has already overlapped it, i blame myself. Perhaps i could have asked them to show me the final cut before going to sound.

Sound
The sound editing was a really good job. The foley for it was seamless and not to loud. The one issue i had was with the score. The music used towards the ending of the film where our two main characters are trying to rob the musician, was not bad but i felt it a bit to loud going in and perhaps not all that clear, giving the feeling that i was forced to feel scared which because of that it contradicted and didn’t give it to me. They way that this could be resolved would be by having the score go in a bit more smooth and perhaps not to the level that it went and maybe if there was some kind of music(score) in the background of the film from the very start setting a tone before hand(though this could not work i would like to have arranged a test if we had more time). This happens only at the very beginning once those 15 seconds pass by the sound is good again.

Conclusion
Though it had its fun moments it was alot more challenging than what i originally thought it would be. To be able to keep threw a deadline and trying to keep up with everybody’s daily schedules it was mind boggling experience. I would like to do some work on producing again sometime, and that time i’ll wont underestimate it not even for a bit.

 

Bristol – My Media City

 

“Bristol is unique in combining excellence in new technologies and creative content. It is this cross over which marks it out.” ( Lord Sainsbury at the launch of S-Park Bristol )
http://www.watershed.co.uk/about/about-us/ – http://www.bris.ac.uk/news/2008/212017945291.html
Here in Bristol it is commonly said by the public that you are in one of the best if not the best media city of England. Where you can find a range of artistic individuals who have made companies that can help you produce and promote almost all that is thinkable.Bristol is famous for its worldwide leadership in wildlife and environmental film and hosts the international “Wildscreen Festival” every two years. Also it is home to Aardman Animantions. In addition Bristol hosts the annual International Encounters Short Film Festival at the Watershed a local company that enables artists to present, host and work on ideas that range across film, music, theatre, design, visual art, creative and technology sectors.
http://www.bristolbusinessguide.co.uk/09Bri.htm
http://www.bristolmedia.co.uk/news/1401/why-bristol-is-the-greatest-city-in-the-uk-for-experiential-marketing#.U1vXLvldWSo
The range of media that i am researching about is in the Film industry. There are some big companies like BristolFilmandMedia and the Watershed that don’t really have that one individual as a front, seeing so i’ll acknowledge the work they do, how do they provide it and examples of their work. Also i’ll try and come in contact with them to gather further information.

Hanover Pictures – Paul Dudbridge
First to my research i came across a website called Hanoverpictures which is a company created by Paul Dudbridge. He started his company as to produce short films but has grown today to include television, music videos, commercials and feature films. He also does freelancing as a Lighting Cameraman and Director for local television stations such as BBC Bristol, ITV etc.
The thing that wanted me to further continue my research on Paul Dudbridge,was his blog. He has detailed information about what he is shooting everyday as to the equipment he uses to do so, he reviews film books, cameras, kits and shows some new extracts from a film making book he is currently working on for film students, scheduled to be released next year. Also as he states himself “I have experience of working closely with clients and how to involve them in the process and make them feel at ease on set… ” and ” I can communicate with actors and presenters to let them know what I’m looking for…”
http://www.bristolmedia.co.uk/profile/3386/paul-dudbridge
an important aspect that all who are involved in filmmaking will find very important, cause communication and understanding the ones you are working with is key to a successful work environment.
Here is some of his work :
compilation of some of his lighting cameraman work: https://www.youtube.com/watch?v=igEIJFOQPTQ
drama director, “Ashes” (2013) – Short film : https://www.youtube.com/watch?v=iPfXSU3FtQk
Leo Abse and Cohen Claims commercial : https://www.youtube.com/watch?v=0amzuJaH6o4

Contact Information : paul@hanoverpictures.co.uk
http://www.hanoverpictures.co.uk/
http://www.hanoverpictures.co.uk/about.html
http://www.paul-dudbridge-filmblog.com/about/

http://www.hanoverpictures.co.uk/contact.html

Paul Dudbridge Blog 

Paul Dudbridge

 

Band Films
They are a local film company that ranges in commercials and promos, documentary, live performance, music videos and cinematography. To find information on BandFilms was rather tricky. As they don’t really mention who they are and when they started exactly they pretty much let their own work speak for its self. They have a production site and a studio site. The production site is based more on the projects they have worked on and are or will be working on in the future, if you like their work then you simply go to the contact us page and email them. If you think you’ve seen enough and you’d like to check out their facilities and the equipment they offer you can just jump into their studio site where you will find pictures of their two studios, edit suites and plenty of production and breakout space, they also have a video of the build process of their working space over the past 6 to 7 months. By this video they seemed like a young energetic and probably really fun group to work with. When having a look at some of their work you can see the hard work they’ve put in to their company that shows threw out their videos.

Contact Information:
Unit 1 Whitby Road
Bristol BS4 3QF
Phone: 0117 971 2233
eMail: studios@bandfilms.co.uk
http://www.bandfilms.co.uk/
http://bandfilms.co.uk/studios/
http://bandfilms.co.uk/production/

 http://bandfilms.co.uk/studios/contact/

BandFilms Guys    BandFilms Work Build Area

BandFilms Studio 1 (Main)     BandFilms Studio 2 (Green Screen)

 

Third Eye Productions
One of the reasons i would like to write about Third Eye Productions is because they are a great example of what can a bundle of talented students can achieve after or even during our studies when we work together. They’re an award-winning production company based in London and Bristol. It was founded in the summer of 2011 from a group of friends from the university they attended in cooperation with Misha’s previous company. The things they specialise upon are Feature Films, Music Videos, Promos, Corporate, Viral Campaigns and even Weddings, something you don’t see alot of companies providing which i believe anybody would want to have that day documented in the most creative way possible and at a fair price.

A wedding video they made – https://www.youtube.com/watch?v=kEB69WWkq3s

On their website they have a section just for weddings with 3 packages each a different price and information for what you get with each deal. Last but not least Third Eye Productions is a fairly new company and because of that they use competitive prices that as they say “…deliver pure quality…”
http://www.third-eye-productions.co.uk/#!about

and judging from various awards they have won like the BFI, Inter-University Drama Festival and Encounters they are not lying.

Contact Information:
TELEPHONE: +44 7946873635
eMail: misha@third-eye-productions.co.uk
http://www.third-eye-productions.co.uk/#
http://www.third-eye-productions.co.uk/#!staff
http://vimeo.com/thirdeyepro

 

Third Eye Productios

Third Eye Productios work     Third Eye Productios email

 

 

Watershed
Watershed one of the most popular if not the most popular place in Bristol. It opened up in June 1982 as not only Bristols but the United Kingdom’s first dedicated media centre. With the partnership of the British Film Institute, JT Group, and Bristol City Council, it was based in former warehouses on the harbourside at Bristol. In 2004/05 the Arts Council Lottery funded a £3.5 million Capital Development investment program. It is run by Managing Director Dick Penny who first joined in 1991.
Watershed is a place where young, old, renowned or not artists can show off their ideas and work with spacious exhibition areas. At Watershed you will find that it is structured with three cinemas where work of artists around the world can put out their work as well as private sector organisations and charities, a lovely cafe bar, conference and event spaces for exhibition artists and the Pervasive Media Studio where artists, large companies, technologists and academics can explore experience design and creative technology. Another important fact about Watershed is its online platform DShed, which project local talent to the world, showcasing what happens in the building and in Bristol to a wider audience in this way enhancing for once more the subject “Bristol – My Media City”. I ‘ve also found a video that asks audiences and staff of the Watershed how do they find their experience there, and all answered with a certain respect and love if i may so for the place and how it brings awareness to the community.
https://www.youtube.com/watch?v=FbOjuf0r60k

 

Contact Information:
Watershed , Pervasive Media Studio
1 Canon’s Road
Harbourside
Bristol
BS1 5TX
General Enquiries: 0117 927 6444
Box Office: 0117 927 5100
info@watershed.co.uk
Contact the Pervasive Media Studio on: 0117 370 8870 or admin@pmstudio.co.uk
http://www.watershed.co.uk/about/about-us/
http://www.watershed.co.uk/pmstudio/
http://www.watershed.co.uk/dshed/
The Pervasive Media Studio – https://www.youtube.com/watch?v=A_GQfy3brUA

http://www.watershed.co.uk/about/contact-us/

 

Watershed cafebar Watershed Watershed_Bristol_closeup Encounters-Festival-2012-Watershed-audience The old sheds circa 1980

 

 

Evaluation/Critical analysis 
Alongside doing the work needed for this semester and personal obligations i had to find time to this assignment.I’ve been working on it piece by piece about 20 – 30 minutes a night for the past 2 and a half weeks. From my experience up till now on this course i’ve given focuss on it and tried not to leave until last minute. I think i got what this module wanted to give me. I was able to recognise the importance of professional aspects in this industry the time and hard work it takes to create it and by going in deep research figure out how do so one day myself. But I’ll be as honest as i can… Up till now i couldn’t really get the research part of any project. (Maybe it’s to get ideas off of their ideas) I don’t really get ideas from other peoples work (maybe it’s so i can analyse and evaluate their work, which i still don’t get why?each artist has a way of seeing things so you can’t really evaluate) and it’s not that i mind others work and the history of how they got where they got and all that but i found it meaningles. Until i’ve started looking at all the peoples companies in this project. I’ve been inspired! I want to grab a camera and head out! Write direct shoot and edit!

 

Watershed

Whilst on the research for the Watershed i found that some of the questions i have sent to other companies who work on mostly producing the work rather than showcasing that the Watershed does, they don’t go that well together. For example i was able to find when the company was first created and by who as you’ll find in my “Bristol – My Media City” project page and this is because of the vast information that can be found online alone. But there are some questions that could be ask for the staff that work at Watershed such as does what you do make you happy?
So i have been jumping from page to page
http://www.watershed.co.uk/news/bristols-young-people-take-over/
http://www.watershed.co.uk/whatson/4673/lunchtime-talk-cocreation-with-bristols-online-trenders/
http://www.watershed.co.uk/bristolyouthlinks
http://www.watershed.co.uk/bristolyouthlinks/about-us/overview/
to see if i can find somewhere a page that talks about the great work experience at the Watershed and i haven’t found much but what i figured out was. I was making the wrong question. It’s not the staff i should be searching about. But rather the artists who go and exhibit or even the audiences who have been at Watershed.
The search begins…
So after endless search i came across a different kind of watershed “The Watershed Residence” a place for drug addicts that helps over come their addictions. Probably not in the right place.
And i have found it! A video on youtube
Click Here to see it

that asks audiences and staff of the Watershed how do they find their experience there, and all answered with a certain respect and love if i may so for the place and how it brings awarness to the community.

FilmTank

An interesting company!
Founders of this film production company are multi-award winning filmmaker Mike Howard a creative director and Jim Birkett director of photography.

 
I came across of them while researching on a site called Bristol Media.
Though they seemed interesting whilst research i came across of their location. They are based in Somerset. Somerset is in the South West of England just like Bristol but it isn’t Bristol it’s on the borders of Bristol and Gloucestershire to the north, Wiltshire to the east, Dorset to the south-east, and Devon to the south-west.
So i thought this more about “Bristol – My Media City” and so it is dropped.
Film Tank’s website: Click to see it
Click to see the Team

Third Eye Productions

The reasons i chose this production company to research are two. One is the evidence of what a bundle of dedicated students as i found can accomplish. And the other is the fact that they also do weddings!
An example of their weddings work
Click Here to see it
I’ ve sent the same email to them as i sent to HanoverPictures (Paul Dudbridge) and waiting for a reply…
I have given them a call but they where unavailable for an interview but they did say they’d call me back!

BandFilms

Hmm…now these guys seem fun!
Two friends calaborated and created a film company over the period of 8 months.
I have now sent them the email i’ve sent to HanoverPictures.
Once more awaiting for a reply.
I can’t find a lot of information on their work.
Oh okay they say it themselves, they say: ” …rather than bore you with pages of copy telling you how good we are (we are good), and how great we are to work with (we are great to work with), we think it’s better you take a look at our work… “ Click to Here to see this